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Datenbank: Notenblätter / Partituren
Kategorie: Blasorchester / Fanfare / Brass / Big Band
Unterkategorie: Konzertmarsch
Artikelnummer: 1101104
Werktitel: NATIONAL EMBLEM
Serientitel: CLASSIC BAND EDITION
Komponist: BAGLEY, EDWIN EUGENE
Arrangeur: FENNELL, FREDERICK
Erscheinungsjahr: 1981
Land: USA (US)
Schwierigkeitsgrad: 3 (Mittelschwer)
Besetzungsart: BLASORCHESTER
Verlag: FISCHER CARL DISTRIBUTION CENTER
Dauer: 00:03:00
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Preis in EUR: (exkl.Mwst) 104.00 (unverbindlicher Richtpreis)
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Zusatzinformation: ~One of the greatest marches of all time, this rousing epitome of band marches belongs in every good band library. Published for the first time in concert size and edited by Frederick Fennell, this march is perfect for contest, concert, or any occasion that calls for a good, solid, well known and loved march.
Ergänzungstext: 9490800 VER.NR.: TITEL: NATIONAL EMBLEM [D] "NATIONAL EMBLEM" VON EDWIN EUGENE BAGLEY (GEB. 1857 CRAFTSBURY, VT.; GEST. 1922 KEENE, N.H.) WURDE 1906 VEROEFFENTLICHT. DIESER WUNDERVOLLE MARSCH HAT NIE VERSAGT, FENNELLS GEIST IN DIE GROESSTEN HOEHEN INNERER FREUDE, AEUSSERLICHER KOERPERLICHER HEITERKEIT UND ULTIMATIVER PERSOENLICHER VOLLENDUNG ZU FUEHREN. BEI MANCHEN GELEGENHEITEN HATTE FENNELL DAS GEFUEHL, DASS DER EINZIGE SINN DES LEBENS NUR DARIN LIEGT, DASS ER DIESEN MARSCH KANNTE, IHN LIEBTE, IHN ZU JEDER ZEIT ANHOEREN UND IN SEINEM KOPF MIT EINER BAND SPIELEN KONNTE. ES WAR EINFACH SEIN MARSCH, UND ER BEGANN, IHN SICH SELBER IN SEINEM KOPF BEIZUBRINGEN, AUF DEM SCHULWEG. VOLLSTAENDIG DIE WELT UM SICH VERGESSEND, SINGEND UND PFEIFEND IST ER HEUTE SICHER, DASS ER AUF MENSCHEN KOMISCH UND SELTSAM WIRKTE UND IHM ZWEIFELNDE BLICKE BEGEGNETEN. DIESER MARSCH IST SO PERFEKT WIE EIN MARSCH ES NUR SEIN KANN. SO KAM AUCH DIE FALSCHE BEHAUPTUNG AUF, DASS ER VON SOUSA WAERE. [E] "NATIONAL EMBLEM" BY EDWIN EUGENE BAGLEY (BORN 1857 CRAFTSBURY, VT.; DIED 1922 KEENE, N.H.) WAS PUBLISHED IN 1906. THIS MARVELLOUS MARCH NEVER FAILS TO LIFT FENNELLS SPIRIT TO THE LOFTIEST HEIGHTS OF INNER JOY, OUTER PHYSICAL EXHILARATION, AND ULTIMATE PERSONAL FULFILMENT. ON SOME OCCASIONS FENNELL HAS FELT THAT KNOWING IT, LOVING IT - BEING ABLE TO LISTEN TO IT ANY TIME BEING PLAYED BY THE BAND IN HIS HEAD - WAS HIS WHOLE REASON TO BE ALIVE. IT IS JUST HIS MARCH, AND HE BEGAN TO TEACH IT TO HIMSELF BY MARCHING HIS WAY TO HIGH SCHOOL WHILE WHISTLING OR SINGING IT, TOTALLY OBLIVIOUS OF WHAT HE IS SURE WERE QUIZZICAL, AND SUSPICIOUS GLANCES FROM PEOPLE HE ENCOUNTERED EN ROUTE! IT IS AS PERFECT AS A MARCH CAN BE, CAUSING MANY THE FALSE ASSUMPTION THAT IT WAS WRITTEN BY SOUSA. IT FAIRLY ERUPTS IN E-FLAT AS IT BEGINS WITH AN INTRODUCTION THAT REALLY GOES SOMEPLACE; AND WHEN IT GETS THERE, "THE STAR SPANGLED BANNER" IS WAITING FOR ITS MOST FAMOUS SETTING: BAGLEY'S USE OF THE FIRST TWELVE NOTES OF IT IN DUPLE, RATHER THAN TRIPLE TIME. THIS BRILLIANT IDEA IS GIVEN TO THE BARITONES AND TROMBONES, THE INSTRUMENTS BAGLEY PLAYED IN BANDS THROUGHOUT NEW ENGLAND. ALL OF THE OTHER NOTES IN THIS MARCH ARE BAGLEY'S, SUCH AS THAT FAMOUS SECOND STRAIN (INSPIRATION FOR MUCH DOGGEREL VERSE, SUCH AS MONKEYS WRAPPING TAILS AROUND FLAGPOLES) - MATERIAL HE HAD FIRST USED IN A SEXTET FOR SAXOPHONES. NEXT COMES THE SHORTEST POSSIBLE AND SIMPLEST INTRODUCTION TO A TRIO - FOUR SHORT, EFFECTIVELY REPEATED A-FLAT MAJOR CHORDS, FOLLOWED BY THAT GREATLY SONOROUS STATEMENT IN ALL THE LOW BRASS THAT IS TANTALIZINGLY REMINISCENT OF THE "NATIONAL ANTHEM", LEADING TO BAGLEY'S FINAL STRAIN AND TRIUMPHANT CONCLUSION WHICH IS SO CONVINCING THAT IT DID NOT DEMAND THE TRADITIONAL STINGER TO LET EVERYBODY KNOW THE MARCH WAS OVER, NOR DID HIS MATERIAL ALSO NEED THAT OTHER CLICHE OF THE MARCH, THE BREAK STRAIN. IT IS A WONDERFULLY COMPOSED, GENUINELY INSPIRED PIECE OF MUSIC. IT IS A BRASS AND PERCUSSION MARCH, TOO, IN WHICH THE REEDS CONTRIBUTE THEIR PARTICULAR COLOR TO THE HARMONY, RATHER THAN PROVIDING THEIR CUSTOMARY FLORID RESOURCES. AND IT IS PRECISELY THIS SOLID, UNCLUTTERED LOW BRASS TEXTURAL CHARACTER THAT HAS ALWAYS MADE "NATIONAL EMBLEM" A FAVORITE MARCH WITH GENERALS AT REVIEW AND MARSHALS OF PARADE, WHERE THOSE FRONT-RANK TROMBONES AND OTHER MELODY BRASS BLOW OUT THE TUNE FOR ALL TO HEAR. IT IS A MARCH FOR MARCHING; SIT-DOWN PERFORMANCES OF IT SHOULD CONTINUE TO MARCH, FOR THAT IS ITS HERITAGE - MUSIC FOR THE FEET, NOT FOR THE HEAD - AND IT IS UNMISTAKABLY MUSIC FOR THE SPIRIT! [F] [NL]
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