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Database: Notations / Scores
Category: Wind Band / Fanfare / Brass / Big Band
Sub category: Contemporary original music
Art.-No.: 1007034
Title of composition: A NAME PERPETUAL
Composer: PIERCE, ESELD
Appearance year: 1998
Grade of difficulty: 4+ (Difficult - Very Difficult)
Kind of orchestra: BLASORCHESTER
Publisher: ARIEL MUSIC PUBLISHERS
Duration: 10:00
Tone file:
Price in EUR: (exkl. Mwst) current market price
Additional information: A Name Perpetual (Hanow a bes vynytha) was commissioned for the Cornwall Youth Wind Orchestra by Keskerdh Kernow, an organisation formed to promote the Cornish culture and to commemorate the Cornish Rebellion of 1497, when the people of Cornwall rose up against the Monarchy. Under the leadership of Michael An Gof and Thomas Flamanck, a Cornish host, sometimes estimated to number as many as 15,000, marched to London in protest against excessive taxation. Arriving at Blackheath, they were attacked by the King's army and defeated, and the two rebel leaders were hung, drawn and quartered. On his way to his death, An Gof stated that he would have "a name perpetual and a fame permanent and immortal".
Text information: A Name Perpetual tells the story of the Rebellion in four connected scenes. The music includes strong elements of the Celtic music tradition, being structured around an old Cornish folk tune. The first scene introduces fragments of the folk theme and reflects the anguish of the Cornish people. The second scene opens with the folk theme on solo piccolo and, as different instruments enter one by one, the march is depicted with its accumulation of forces en route.

The march halts suddenly as the Cornishmen discover the unexpected arrival of the English army and the subsequent music portrays the Blackheath Skirmish. In this scene the orchestra is divided into four parts, each working independently to create a sense of chaos, with the stronger elements of the brass and bass instruments representing the English, while the woodwind and saxophones represent the Cornish, struggling to sustain the folk tune throughout the battle.

Eventually all the parts come together and the final section is a lament for the lost Cornishmen, fading away to leave only a haunting off-stage trumpet solo.
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